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LIKE LIKE

by Advrb

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1.
i used to walk this graveyard block every afternoon to the tune of morbid, brainy bands and dream of holding hands with a girl in her second or third Smiths-fan phase who shared my self-imposed malaise i remember the blue light and the oak leaves taking flight i remember the heat of the coffee cup and turning my herringbone collar up i used to to walk this graveyard block every afternoon to the tune of morbid, brainy bands till i found friendly hands she didn't fit my absurd vision but she was the perfect revision i remember her empowered strut and adorable pixie cut i remember the distant sound of trains the silk scarf, and the mary janes i used to walk this graveyard block every afternoon now back in the cemetery, i recall our whole story: there's the wall where we sat that fall there's the tree under which we had our awkward first kiss there's the path where we stood and laughed i used to walk this graveyard block every afternoon to the tune of morbid, brainy bands then come back at night holding hands! we'd take a different route… then totally make out! i remember being accused of having practiced on an apple i remember she said you'll get better at this soon then looked up and recited A.A. Milne to the moon
2.
Red Stripe 04:08
in the evenings between 8 and 11 o'clock in the same skylit room after the same walk past fine folks addicted to meth amphetamines who'd been shooting/snorting/whatever in public latrines i'd sip tea from a mug you'd sort of made and we'd watch a movie with that guy from blade it was amazing: wesley snipe, action hero as a drag queen! you showed me the print that won honorable mention and i got confused about my intentions when i arrived you were eating a sandwich from the pita pit and surfing idly on the internet while listening to frank sinatra you laughed the whole scene off, but i said "you don't gotta... let's dance to these absurd songs! and wish, wish, wish that the summer stretched on!" let's dance to these absurd songs! and wish, wish, wish that the summer stretched on!" and to say goodnight, i would stop for a minute on your back porch, stepped down so i could fit into the hug that we'd been practicing and when i'd step through the gate i would sing along with the headphones on to those absurd songs! and i'd wish, wish, wish that the summer would stretch on…
3.
i can't actually visualize what it would be like to still be involved at all in each other's lives and what exactly we had in common remains unclear and what connection we might have had grows weaker and weaker every year it all started with a picturesque autumn walk where the afternoon, cold and golden, slid away in talk on the marble bench by the old mill because back then we had time to kill and it got better the night of the blackout i called you from a phone booth in the dark your voice resonated in the pitch and it flipped a switch! by the candles and the eerie moon we hung out in your room and no, we didn't kiss or even sit that close to each other but it was awesome anyway! i thank you for not wanting to date me i completely fucked that up irrevocably yet i've kept playing the mix yeah, yeah ever since the one that was all classical music with instructions in all-caps sharpie saying "PLAY THIS REALLY LOUD!" and you were right, when i play it really loud my perpetually romantic heart goes right back to our start!
4.
FRENZIED SPRING under the verdant leaves of the swaying birch trees in that spring we'd been waiting for so long we kissed and i sang her a song she shut me up: with a hand to her ear, she said "listen, o listen, my dear!" and we, oh we, oh we could hear the whisperings in those woods from decades of sweetheart students standing where we stood with wild joy and aging innocence but our story started in the snow by the light of lamps and her cigarette's glow she looked like ginger rogers on one of her best days! and oh, those nights we slept only an hour or two kept awake, holding hands in that attic room i remember the rural lampposts and the slow-mo snow covering where our tracks had been and oh, the years i've spent since then having to hear songs that other guys have written about her and oh, the years she's spent since then with mustachioed hipsters and even my close friends but oh…i let her go! but i'm thankful for the memory of the bat and zany professor with the chinese hat i'm thankful for that whole frenzied spring when she told me to stop singing, but i didn't listen, no, i let my voice bloom… i opened it up to fill up the room!
5.
we sped through the science building on borrowed bikes pushed through the double doors and then stopped we noticed in the space between our tire treads the unusual shape of those sprinkler heads "they look like mario mushrooms!" you said so we made a pact, then and there to paint them that way someday and when time had almost run out we met up in the middle of the night i stole the paints and brushes, you brought the flashlight we worked in purple, red, and white but it was hard to see down under the green ash tree… and as the paint dried and the pink dawn began we fell asleep and when we woke up we were holding hands that was it, that was it, that was good enough that was good enough when you woke you asked me to bring you an apple so i yawned, stretched, and went out searching the late spring air was hot and heavy but still smelled of flowers the crowds parted, i had eyes only for you and wordlessly i handed over the unseasonable fruit and you grinned that was it, that was it, that was good enough that was good enough
6.
she was just like madeleine in "masculin / féminin " a french new wave heroine but i'll never, ever go there again and she, she won my heart even though she did performance art she wrote me notes, kept pressing send even though she was someone else's girlfriend and i fell for her in the humid breeze on a platform built into the trees where she twirled a dandelion against her cheek the thought of which still makes me weak and she, she got inside my head before we'd ever shared a bed and i stayed spellbound by that false sun from the early spring to the autumn later, back behind the ghostly barn hating each other, but arm in arm now past the point of being flirts we got to the warmth underneath our shirts and the wind howled down the sloping hill as the candles flickered in the window sills and we fell to the ground like snow angels and branches creaked like tinkling bells and we, we tossed and turned showing off everything we'd learned and the grass blades froze around us just right like silver brush strokes against the night… and our breath plumed out like chimney smoke in the moment our connection broke, and our hands grew tired of their strained touch so we let them fall, and we lost so much…
7.
on the day you returned from your world travels we met at the cemetery gates where else? i lay down in the cool grass so i wouldn't have to see you approaching now those first two weeks of june, they were all dark and dreary… they were all doom and gloom but looking up i watched the sky turn from grey to blue yeah, summer came that day and i credit you so you appeared in my field of vision in your striped cotton sundress, and audrey hepburn shades and we walked around our beloved hometown making so many plans: a massive summer To-Do on the corner near the church playground i heard that mechanical vibrating sound yeah, i answered my phone– pretended i was somewhere else, pretended i was alone so that we could keep walking so that we could keep talking… and when at last we had to go back and we stopped outside your mother's garden gate i felt like i couldn't let go even though our feelings hadn't been made official hell, i wasn't even single but in ten short days i was yours for the taking and so began the greatest love story of my young life yeah, i said on that day summer came to me and i still really mean it, summer came to me! summer came to me oh, oh all pervasively and i credit you! there was a newfound excitement about the world and we watched as our dreams, gleaned from books, unfurled there was the whole countryside to explore and there was kissing outside the natural foods store! and to document our time together there was the making of printed matter! we picked cherries on the hottest day and as i stood in the red dotted trees, i gazed at you perched on a ladder felt lucky, more full of life than ever we got naked in the garden, shampooing the dog and the electricity of our skin oh i can't even begin… we took pictures of the sunset every day of july and we felt safe, we needed no more shelter than the sky! now i'm not sure exactly when it really started maybe before that day at the cemetery gates… when you rolled up to me on your bicycle named Belleroo yeah summer came to me oh, oh all pervasively and i credit you!
8.
i asked you to waltz with me and we waltzed… just a little clumsily for weeks i wished… wished i could remember your name and in the 1960s dancehall, there, there you suddenly were and as the soul singles played, we swung and swayed! the first time i gazed beyond the glasses, i was struck dumb by your stare in the house sitting mansion with its electronically controlled air the city lights behind you, through a wall of windows finally i'd made it into a scene from Antonioni but being one of your lovers, though ecstatic, though magic i felt like a leading man in the moment he discovers his story, though mostly comic has just a hint of the tragic and the city lights behind you, you flew through the air on an uncomfortable tire swing but you didn't care! the yellow leaves backlit, in the foreground it was a scene of young lovers in autumn i hadn't created yet and what we called "rest," oh that, that was the best! in your repertoire of men i was just the one more earnest than them and probably still in love with all my ex girlfriends!
9.
i stood in a cultivated field looking at the beautiful work that you'd done before i even met you i ascended the hollow stairs to a long forgotten room expecting no one, i found you and though we talked for less than ten… well, after that i just knew, i just knew, i just knew and later that afternoon i followed the sun as it descended behind your little house at the top of a hill i saw you through the window as the first frost began to form and i just knew, and i just knew! to the sound of the tea kettle and the purring of your secret cat surrounded by old postcards and open cookbooks, i just knew, i just knew, i just knew! later on the other side, at a completely different point in our lives our knees kept getting closer our hands kept getting closer and i just knew! and i just knew! and i just knew! on the highway in the nighttime during nostalgic singalongs when you weren't looking i sewed myself into the lining of your blackwatch pendleton coat 'cos i just knew, 'cos i just knew! and on the morning of the last frost we took a woods walk coffee in a thermos, a bench on a precipice and the clouds opened up when you busted out the pear cake! it was like a perfect picture, no one was there to take one kiss ends it all! one kiss ends it all! and i just knew, and you did too… (you did too)
10.
days, bright and hazy from first period to the party: it was us, us against the world! it was knowing there was someone on the other side of the landline or the classroom it was knowing there was someone interpreting the same songs in the same, the same way! and the search for truth and beauty, in the isles of the used bookstore at the bottom of the ice cream cone in the empty elementary school playground no it never got old, no it never got old, no it never/never got old! and lying on your trampoline in the backyard when everything, everything was green… from the witty discourse to the clumsy intercourse, yeah, everything / everything was green! and we experienced the seasons with the poignancy of the protagonists we wanted to be but we didn't feel real anger or disappointment… no, when we were emo we manufactured most of that shit it was knowing there was someone, down the alleyway with their head also steeped in reverb it was knowing there was someone who dared to share in the breaking of all of the rules! everything we did, yeah, everything we did was unprecedented! and the search for truth and beauty, in the isles of the used bookstore in the bottom of the ice cream cone in the empty elementary school playground no it never got old, no it never got old no it never / never got old! days, bright and hazy from first period to the party: it was us, us against the world!

about

CASSETTE VERSION: goldenrod shells, reversible covers, and a tiny lyric booklet! Available to pre-order for the SAME $5 price point AND comes with an immediate download over at our wonderful label ANTIQUATED FUTURE: antiquatedfuture.bandcamp.com/album/like-like + www.antiquatedfuture.com/music/advrb-like-like/

LIKE LIKE is a collection of songs about young romance. Most songs about young romance are written during, or perhaps too-close to the romance itself. I thought it would be interesting to write about the romances I'd experienced– from long term partnerships to those that barely occurred – quite removed from the time and place itself, but with the goal of capturing that time in a relatable way. It seems like we've all experienced the unplanned holding of hands or the afternoon slipped away in excited conversation or the stolen glance across the room to the person we hardly knew but felt an immediate, intimate connection with. These songs attempt to convey those times and those feelings.

From the Antiquated Future listing:

'Like Like,' by Portland's Advrb, is an album in ten vignettes. Relationships, almost relationships, last frost walks, A.A. Milne recitations. Lyric-driven jangle pop in the lineage of Jonathan Richman, Jason Anderson, and Eleanor Friedberger.

credits

released November 17, 2017

Personel:

Andrew Barton: singing, electric guitars, piano, Yamaha electric piano, Wurlitzer practice organ, acoustic guitar, hand percussion
Elisabeth Ryan: drums
Kellen Hopfner: singing
Joshua James Amberson: bass
Josh Bay: cello, Rhodes electric piano, Wurlitzer electric piano
Erin Howe: violin
John England-Fischer: trumpet
Carey Mann: additional electric guitar on “Cold & Golden”
Russell Melia: mandolin flourish on “Mario Mushrooms”

Live electric guitar and drum sessions engineered by Robert Escobar.
All additional recordings produced, engineered, and mixed using a portable 8-track (circa 2005) by Andrew Barton.

Mastered by Fred Thomas.

Photographs: Michael Sharkey (35mm, Bennington College, 1995)
Cover Stars: Adam Zabarski and Chauncey Zalkin
Nell Chochrane-Buck and Rone Shavers
Josh Blackwell's hands

Live electric guitar and drum tracks recorded at Greeley Gardens (North Portland). Vocals and additional electric guitar recorded at Prince Castle (SE Portland). Kellen’s vocals recorded at Arts Collaborative (NE Portland)– also the additional electric guitar on “First/Last Frost,” during the first snow of the year. Cello, Rhodes, and bass recorded at Antiquated Future Basement Annex (NE Portland). Carey and Russell’s parts recorded in the attic room of my parent’s house in the middle of the night, where most of my teenage recordings were made (Eugene, OR). Violin, trumpet, piano, other keys and embellishments recorded at home– The Whiskey Farm (Milwaukie, OR).

Special thanks to Josh Banyard for some last minute technical support with corrupted files due to outdated technology, and for making other file transfers easier due to his savvy.

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Advrb Portland, Oregon

Andrew Barton plays, sings, and records as Advrb.

Kellen Hopfner sings with him.

Josh Bay plays cello and electric piano.

Elisabeth Ryan plays drums.

Joshua James Amberson plays bass.

The band sounds both quiet and loud.
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