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ALOUD

by Advrb

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1.
surrounded on all sides by spines, thread, and glue the books become a metaphor for how i feel about you though the catalog has been digitized they can't possibly keep track and after checking out a new feeling i'm reluctant to give it back well, you're the cinnamon in the apple sauce as awesome as the price tags on the thrift store finds or the string arrangements in the best songs so let's stay in libraries and compile our stack and in a wax paper bag i'll sneak in a snack so we skip and hop through the shelves i'm so damn glad we know how to be ourselves surrounded on all sides by spines, thread, and glue the books become a metaphor for how i feel about you
2.
someday we're going to live in belgium drink wine out of wicker bottom bottles then ride our bicycles down hills full throttle! we'll hang our clothes out on the line over the courtyard between our rooms above the cherry trees in full bloom! yeah, someday we're going to live in belgium wake up to the smell of bread baking and coffee on the stove percolating we'll work for a florist and a book-binder buy our food at the local market with euros from our shared woven basket yeah, someday we're going to live in belgium dress as ridiculously as we want herringbone coats and canvas totes we'll flaunt! we'll wheat-paste posters with drawings of rabbits to crumbling brick buildings we'll stay up late nights, making up songs & singing! they won't have to break new ground but they will be pure and honest sound and when we are living in belgium we'll tell all those dumb fucks, those who ever doubted us they said "that's a silly fantasy!" we said "it's going to become reality!" its not just trappist ales and fancy chocolates! no we carry our dreams around with us in our pockets
3.
... so skip ran into susan, on the way to meet me, and we took off together, us three! i guess there's no winter around haight ashbury we sat on a bench, in the orange sunlight for a long time, all happy to not be spending saturday alone susan wanted to get a mcdonald's ice cream cone we laughed at her, she got one anyway, we passed spilt hummos on the pavement solidifying sadly it was the start of an adventure (the sort i hadn't had in years) we scaled a mountain and at the top of that mountain we spotted another mountain and we sped down our first mountain jumped over a gate, ran through backyards, round corners, and up steep hills until we got to that second mountain, hurried up that 2nd mountain, reached the panoramic view, the sun started setting, the breeze turned cold, the world spun in slow mo and we STOPPED. in the distance we could see The Mission, that big fucking Safeway 'S', ended up on a tennis court, kicking dirt out of our shoes as the moon rose low and slow... in the blue light through the castro ian called from 11 blocks away, told us about a show in "this new gallery"- got there, couldn't get in; no lentils or salad for us- but we got to talk to ian, holding it down, with all his new east bay hommies... the BART downtown in 5 minutes witnessed a drug deal between stops. out on the street waited for skip's sketchy french friend to take us into an anonymous urban buidling up to the 3rd floor for an "erotic art opening" yes, an "erotic art opening" there were weird naked people, strawberries, and paté... it was almost too much to take. we ended up in chinatown at a hole in wall, drank weak jasmine tea ate potstickers and spring rolls as they closed the place around us we found a fountain, walked under that fountain, smelt chlorine sprayed in the air, we marveled at the fountain, the shimmering night lights, and lack of cold. we stood outside embarcadero watched a group of what looked like a group of coworkers in business casual being given a hokey cable car tour there wasn't much more we could possible do or say at least not on that perfect february day we stood watching/smiling said our goodnights, got on separate last trains but we chased the same moonlight...
4.
Trees 03:23
the woman who took pictures at my birth died today and right after i heard i stopped at the top of a hill and i looked out over the dry, dead, new england april landscape tried to tell myself "those trees are just waiting... c'mon trees! wake up and reach!" i tried to get the wind to carry the green out of this sleep so everyone who has trouble waking everyone who's wondering why they're crying everyone who can't put it into writing don't worry, chill out, you're probably just waiting so reach like the trees! reach like the trees! we might just find with your new leaves: new work to carry us out of the murk
5.
River 04:00
back by the slow black river one memory of this place just blends with another... the photo of me on a deck with a book in hand when growing up this way was so unplanned the halloween after elliott smith died the way the rain fell making the woods like they had cried the time my toy elephant fell into the rushing water and dad jumped in to rescue it- my savior that august night when we stayed at the monastery and walked in the dark, though she thought the lightless roads were scary it's so, so-o-o dark back by the slow black river no sounds but crickets and the rolling water we always stayed in the neighborhood of the log cabin inn after taking our stereotypical northwest family forest green subaru outback for a spin... then during my first fall away from home after i'd flown to the east coast to roam i got an e-mailed newspaper headlining page and its contents filled me with temporary rage it said that the inn had burned to the ground so there it was- my childhood was lost... but now i'm reclaiming it, bit by bit we're staying in a cabin that's almost new and i'm awake, watching the river turn from black to blue
6.
Valley 04:34
it was a familiar scene in good ol' eugene out in front of the current coffee shop there was a girl with crazy hippy face paint and a punk-rock hairdo, just over the wrong side of the tracks there was a homeless dude with a dalmation and an awesome family with two mommies and a precocious, tree climbing child it was a familiar scene in good ol' eugene they're always playing bill callahan, do they know his mom lives here? wait, why the fuck do i know that bill callahan's mom lives here? so eventually we walked all around all around downtown went to corner natural food store to buy a monster cookie from a ghost of a local company and well, we talked about EVERYTHING this is where and what we need to be seeing expansive mountains and saturated green being excited about everything! we can sit out here under the fruit trees we can top the hill with the buzzing bees we can look out over our fair city! and all its twilight beauty! we can be artists in residence with exceptional elegance we can love an old house at first sight! we can read children's stories by flashlight! we can bake biscotti and carrot cakes we can make a movie all in single takes yeah its easier, easier than it seems and you and i, we make a pretty good team! we can fall all over the cluttered bed your dog barks, we wonder what she said we can plan travels to foreign lands we can make things with our hands! we can make a dinner all from your garden how would you rate this wine from one to ten? we can share this life bite for bite! we can pick raspberries through a broken fence at first light!
7.
Dinosaur 03:34
our meeting place was by the old concrete dinosaur it was big when we were children and its still really big now i somehow remembered it being on a patch of sand but that night it had its own miniature swampland so we sat on the grass about 10 feet away you'd brought a mason jar full of hot peppermint tea and we drank it a distant baseball game created hushed racket and you even had an ancient blanket warmed by it, we stared up at the moon the big, circular, and perfect moon and its doppelganger- the reflection in the swamp puddles so after 45 minutes we walked over to the old skate bowl and after lighting wicks on top of wax collaborated on a mural i drew the moon and the starry sky, but not from life! and you drew a dinosaur on his own planet, which strikingly resembled a turnip! we stood in the skate bowl for a moment admiring our work i wondered "what will the skater dudes think in the morning?" then i wondered "how many people ever wonder what skater dudes will think in the morning?" ... then carefully you blew out the candles, then accidently spilled hot wax on your ankles.
8.
ALRIGHT, disgruntled batshit crazy postal worker lady- i'm not sorry for making mail that's artsy you don't need to tell me to write the return address in the upper left-hand corner can't you see that wouldn't work no no no not aesthetically? are you actually going to charge me twenty cents extra because this envelope is too narrow? you know what's too narrow? your mind- i bet you watch conservative t.v. all the time ALRIGHT, disgruntled postal worker lady- i think you're batshit crazy and i'm not sorry for making mail that's artsy o my god you're actually getting out that letter-size-measuring thing and explaining it to me and as you do its hurting my faith in humanity but maybe we, yeah everyone who might be listening can make the two thousand teens as exciting as the 1920s or the 1960s but instead of ending in a decade of depression or polyester clothing we'll explore our attics and be inspired by the relicts! we'll plant gardens then actually maintain them!
9.
Vermont 03:46
10.
faces fade, blend and blur the way moonlight gets pushed around on bodies of water gathered around a bench pushed to the center of a vast body of grass each second is a snapshot, a slow film reel arms over shoulders kisses on lips jugs passed from one to the next these people will never come together in this exact combination again and what is particularly beautiful is we're all painfully aware to the point where we don't even care someone busts out the sparklers they crackle and explode like a briefly flicked on strobe and as the authorities come armed only with flashlights we run in circles, arms out, and nearly take flight there's just too many of us there's just too many of us there's just too many of us we disperse into the darkened corners then re-converge i stand on the bench hold up the rossi this is my chance to make a shakespearean war ralley i say "these drinks may be temporary but they are on this lawn they are free and we are free!" and college, well, it sure as hell was not free but i'm glad we concluded it so ridiculously
11.
Aloud 03:19
the wind blew the longest grass, it swished and swayed i could see oregon's coast in every blade i was nearly knocked over but kept my ground then sang aloud into all the other sounds well my dad wrote something in 1965 about how the future is like sticking your hand into a beehive now i have body image issues cos i used to be fat he drinks too much and thinks he can hide that now i've never been scared of what might come out but it took 5 years of song writing to finally open my mouth in O-three i looked up their demo policy then imagined them sitting around making fun of me for trying to sound too much like morrissey now i can't write a good song without using profanity maybe its just my way of expressing sincerity well i found myself getting hit in the face by wind so strong it was like the blow-dryers at a self-service dog-wash place but i opened it up and sang ALOUD ALOUD ALOUD the wind blew the longest grass, it swished and swayed i could see oregon's coast in every blade so i looked into this future and saw the sand the august sky, and us holding hands
12.
you can tell you can tell you can tell just by looking at me that i've read all of fitzgerald every novel, every story, every essay, and every letter there's just just just no one better and of course at 23 i'd have a poignant rereading of my favorite book and start to see my own life between its well designed lines at this point we're at the top of the haystack there's no one else around and if there were we'd have left them down on the ground but isn't it sweet? that we're not in maryland in 1919!? you don't live with your grandfather, waiting to be married off yeah, you get to choose and i don't drink too much booze! isn't it sweet? at this point we're on top of the haystack there's no one else around and isn't it sweet? well the night is coming the storm is growing fast you say "i want to see your face" i say "i want this to last" so STRIKE, FLARE! hey hey hey there- you're eleanor to my amory and now i can see... but hey, are we sure this a good idea? an open flame on top of hay? well it might be dangerous but i think, i think we'll be okay, yeah, look up at the rain - STRIKE, FLARE! hey hey hey there- you're eleanor to my amory and now, at last, we can see... we can see

about

Songs by Andrew Barton

credits

released July 30, 2011

Arranged, engineered, and mixed by Andrew Barton.

Mastered by Fred Thomas.

PLAYERS

Andrew Barton: voice, guitars, keys, percussion, drums.
Kellen Hopfner: voice
John England-Fischer: trumpet, mellophone, glockenspiel
Taylor Kaplan: drums
Anna Ponto: violin
Gregory Hedderman: bass guitar
Lucas Winiarski: clarinet
Russell Melia: mandolin

Basic tracks recorded in Eugene, OR– at night in the empty hallways, classrooms, and theater spaces of Villard Hall, a building completed in 1886.

Arrangements recorded in Portland, OR– in houses, apartments, and classrooms.

Cover photography by Delphine Bedient

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about

Advrb Portland, Oregon

Andrew Barton plays, sings, and records as Advrb.

Kellen Hopfner sings with him.

Josh Bay plays cello and electric piano.

Elisabeth Ryan plays drums.

Joshua James Amberson plays bass.

The band sounds both quiet and loud.
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